Performance Tips










    The following ideas are by no means original. However, you may find these tips quite helpful while preparing your
    next performance:

    Classical musicians are entertainers
    Yes, classical music is art; but it's also entertainment. When you perform, you are providing entertainment, albeit of
    a high quality. See yourself as an entertainer, not only a musician, and your performance will improve greatly.
    The reason? Entertainers focus on the needs of their audience; this audience-centric view demands that a
    performer place themselves in the shoes of the public. How much, how little you practiced, whether you broke
    up with your significant other last week, or today's upset stomach mean very little to an audience that is giving you
    the privilege of their time and attention.

    By all means practice as diligently as possible to give a near-flawless performance. However, at performance time,
    stop focusing on minutiae which probably means little to your audience. Instead, make it your mission
    to ENTERTAIN them with your performance. Or as my former piano teacher, Milton Kaye used to say, “I don’t care
    how perfect you play…just don’t be boring!”  

    Understand Stage Fright
    Barbra Streisand, Elton John, and Van Cliburn are experienced, universally acclaimed entertainers. Yet they each
    suffer from strong, sometimes crippling stage fright. In an interview with Connie Chung, Andrea Bocelli was asked,
    “When you perform on stage, are you nervous? “ Bocelli responded, “Oh, it's difficult to explain how much. I have big,
    big stage fright.”

    Stage fright is a frequent condition of performance, and even very seasoned celebrities are stricken from time to
    time. A host of factors, including negative or irrational self-statements, contribute to performance anxiety.

    You can be nervous and still give a great performance. You can play less than perfectly, and still give a great
    performance. Audiences tend to be very forgiving of nerves and a few missed notes. However, you have to play with
    complete passion and dedication. Not only are you going to move your fingers to produce a few sounds, you are
    going to reveal something wonderful and beautiful to us.

    You’ve only got 10 seconds
    George M. Cohen, seasoned singer and dancer once said, "The most important part of any act is the first ten
    seconds and the last ten seconds...what happens in between isn't that important." This is the great challenge
    for any performer: how to gain, and hold, an audience’s attention?

  • Engage the audience visually: Before you play a single note, introduce yourself to the audience, and SMILE.
    Establish eye contact with a few friendly faces in the crowd while smiling. If you speak, use a warm, relaxed tone.
    Taken together, this shows confidence, and a willingness to perform.

  • Start out strong: Like any good speaker knows, the first moments of a speech must provide a “hook”, some
    attraction point to draw in the audience. Likewise, a performance that lacks a hook quickly loses its audience. Does
    your piece open with a “hook”? The all-important opening must establish a certain mood and tone that listeners find
    compelling. Otherwise, you risk losing your audience as their attention wanders to other thoughts.

  • Are you “attracted” to your piece? An essential component of any effective performance, musical or otherwise, is
    passion. If you want to engage your audience, your piece must have a strong intrinsic meaning to you. Before your
    next performance, ask yourself: what does this piece mean to me? Always look to perform pieces that you truly enjoy,
    even love.

    What are the musical elements of your piece?
    What are the musical elements of your piece? Every musical and dramatic work takes its audience on a journey,
    generally consisting of the following elements:

  • Introduction and elaboration: The central melodic theme is introduced and often repeated, in identical fashion or
    with variation. The “mood” of the piece is presented and established via use of dynamics, tempo and melodic arc.
    The performer must draw in the audience at this point, either with a compelling narrative subtext, or strong
    emotional message. Also, the performer must build gradual tension (when applicable), leading the
    audience to the musical climax.

  • Climax: The highest emotional point of the work, usually occurring 2/3 to ¾ into the piece. Requires maximum
    expression and melodic emphasis to evoke a desired reaction or response from the audience. Also considered a
    reward point, or “tension release” for the audience.
    The performer should fully understand the climactic point of the piece, and clearly highlight this point via the use of
    tone, dynamic expression and musical touch. The importance of the climax for audience understanding and
    satisfaction cannot be underestimated.

  • Resolution: The conclusion of the piece, during which all unresolved musical elements are resolved in a
    satisfactory manner.
    The performer must prepare the audience for the eventual end of the musical journey, a “return to reality”. Musical
    cues which aid this transition include:
  • gradual decrescendo and diminuendo,
  • a clear a decisive “end point”, so as to not leave the audience with an uneasy feeling of something
    unresolved (unless the piece demands this conclusion).

    Be confident-you deserve it!
    Be proud of yourself. As a performer, it takes a lot of guts to stand in front of strangers and bare your creative soul!

    Even if your piece has been performed a billion times, no one can or will ever play like you do. Take pride in your
    uniqueness as a performer. When you stand up on stage, we want a revelation, a direct connection with you. Don’t
    be afraid of this spotlight, the audience is on your side; they want and demand your success.

    Very few people attend a performance or concert to see someone fail. However, the public does expect you to take
    their time seriously, and do something unique, even surprising to hold their attention. If there is one thing you never
    want to be as a performer, it is boring.

    Every amateur musician has the capacity to perform in a way that moves his or her audience. You know what you
    like in a performer. You’ve been part of a discriminating audience for most of your life. Play for your audience the way
    you’d like someone to play for you.

    Perform your piece with intensity, with absolute presence. Forget about the mistakes….focus on the overall
    message. Play your piece as if it’s the last time you’ll ever play, and force your audience to listen to your piece as if
    they’re hearing it for the first time.
Copyright: Amateur Classical Musicians Association, 2009  Questions or comments? Please contact us.

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Supporting the talent and
dedication of amateur classical
musicians throughout New York
City and beyond